As English teachers, we’re used to teaching texts in isolation. This presentation will demonstrate how the presenters have experimented with book clubs as a way to weave more varied voices into classrooms. This session will showcase an American Literature Book Club Unit, which provides a framework for students to helps our students see the larger America beyond their own experiences and those captured in canonical literature. Presenters’ sophomore teaching team reads recently published American fiction, searching for well-written literature from varied perspectives to expose students to characters facing complex issues. The novels include relatable teenage narrators whose experiences move students beyond their comfort zones. The unit revolves around student choice, beginning with book selection and extending through student-led book group discussions. In the course of the unit, student groups research related real-world issues like Native American land rights, groundwater contamination in low-income areas, and effects of immigration policies. For a final project, students create movie book trailers using Canva to advertise novels’ themes and motifs.
Presenters will also share novel titles, videos of book groups in action, and project examples.
Students emerged from Covid classrooms, but not unscathed. More than ever, they were not engaging in their own learning. Our course team decided we couldn’t keep lamenting the fact that our tried-and-true approaches weren’t working anymore; we needed to adapt to teach the students in front of us now. Inspired by a book for math teachers on getting kids to think, we adapted our own approach to writing instruction.
Session Materials: Website
Much has been written about students’ and pre-service teachers’ fear of poetry; heck, there’s even a scientific name for the fear of poetry: metrophobia. Thankfully, there have been some great books to guide teachers and teacher educators in suffusing their classrooms with positive poetry experiences—books like John O’Connor’s 2004 Wordplaygrounds and the new Whispering in the Wind by Linda Rief and A Poetry Pedagogy for Teachers by Pindyck and Vinz. And yet, it can be hard to make sufficient time for poetry in high school and methods courses, where teachers and teacher educators are often bound by curriculum and time constraints. The presenter will describe her project to infuse both her high school classroom and, later, her writing methods course with poetry in an attempt to create fear-free poetry experiences—as well as to capitalize on poetry’s power to enhance content knowledge, collaboration, communication, and creativity. In the process, she will outline a literacy autobiography assignment she has done with high school and college students which enlists writers in creating snapshots of their most formative literacy experiences: engaging in writing workshops, reflecting on the implications of their and peers’ experience, and celebrating each other’s voices through publishing parties. Attendees will be invited to share some of their own literacy experiences and play with poetry as well.
Session materials: Slides
Culturally responsive teaching stresses the importance of connecting students’ identity and lived experiences to the classroom in order to enhance their learning. With book banning and curriculum censorship at an all time high, students feel powerless. They feel as if their voices don’t matter, often leading to the question “Why do I need to know this?” By understanding the communities from which our students come, we are better able to create engaging lessons and find literature that all students can relate to. Creating a welcoming and culturally responsive classroom will decrease student apathy and, in turn, increase student engagement. Not sure how to get started? This session will provide you with a multitude of resources, ranging from beginning of the year “Get to Know You” activities to giving students voice and choice on literature.
Session materials: Slides
Generative artificial intelligence (genAI) is disrupting, if not overthrowing, five thousand years of human communication, encompassing the entire existence of the English language. ELA educators must clearly understand the role genAI will play in our classrooms and adapt to technological trends in a vigilant yet open manner.
This session will highlight numerous areas of genAI and how they correspond with English education. Additionally, the presentation will discuss and question our current understanding of genAI and how that affects our understanding of what it means to educate students.
One of the main goals of the presentation is to critically examine the correct role for genAI in ELA education and tangle with the philosophical implications of this moment, and seek the middle ground between accepting all technological innovations without thought and living in a neo-luddite, sequestered classroom space.
Session materials: Slides
In non-fiction writing, there are only four basic “moves” a writer can make. An acronym to help student writers remember them is CEIT, for claim, explain, illustrate, and tie-back. First, you can make a claim. This claim may be called a thesis, a topic sentence, a theme, or a main idea. Second, you can explain that claim. Third, you can illustrate the claim. In literary criticism, this would be evidence from the story that supports your claim. Finally, you can tie the example back to the original claim. That is, you can briefly analyze how this example illustrates your theme. In addition to making these four basic moves, you can also signal them. “In other words,” signals explanation. “For instance,” signals an illustration. “This is an example of wisdom because” signals a tie back. When a thesis statement includes multiple parts, those parts can be made the core of subtopic sentences in a single-paragraph essay, or topic sentences in a multiple-paragraph essay. Each subtopic section can be explained, illustrated, and tied back to the subtopic sentence’s idea. In addition to the signals mentioned above, time or order signals can further clarify structure, such as first, second, finally, and so on. Once students become adept with the CEIT paradigm, they can choose which features to use and which to leave out. This presentation will thoroughly explain the CEIT paradigm and use student examples to show how it applies both simpler and more complex essays.
Session materials: Handout
What can teachers do when students balk at doing the assigned reading? Why do so many students have difficulty staying with a book for more than a few minutes? In this workshop Carol Jago will demonstrate instructional moves that can help students increase their stamina and develop greater confidence in themselves as readers. Based upon current research in adolescent literacy, the session offers texts and tasks designed to engage today’s young readers.
