Suggested: Bring a laptop with Google Suite
Together we will explore a curriculum rooted in identity for middle school students that empowers them to not only critically craft their own identities, but more thoroughly develop critical thinking skills in order to enact social change. The curriculum integrates social emotional learning with common core, while being non-linear and revolutionary. Texts, skills, and activities centered on identity allow students of color, in particular, to take control over their identity formation, and also allows white students the chance to authentically reflect and understand their own positions of privilege in contrast. Paired with seminars, collaborative writing, and individual reflections through an active revision process, this cyclical curriculum engages students by returning to concepts and skills in order to deepen their holistic development throughout the year. The intersection of SEL, ELA, and equity is of utmost importance as our students, and the world around us, continue to recover from the upheaval of a global pandemic. Corrine Ulmer has over a decade of direct experience developing and implementing advanced middle school curriculum that offers practical takeaways from Elise Zerega’s background in pedagogical research that explores the intersection of SEL and academic achievement.
Explore how local news can be used as a powerful tool to teach reading, writing, critical thinking, and collaborative problem-solving skills, while serving as a motivational hook to help students seek out information and connect with peers and the broader community. Our federally-funded unit connects reading and thinking skills with the writing process using a student-centric, project-based approach.
To highlight some features of the highly versatile featured unit, students develop reading and critical thinking skills through interactive modeling of cognitive skills and corresponding writing assignments. Built-in prompts engage students in peer-to-peer discussion about local issues. A culminating group project invites students to engage in collaborative problem-solving with their peers as they formulate a personal cause, select and analyze news articles, and produce an essay and a creative work aimed to advocate for change within their own community.
Participants will learn a reliable process for evaluating news articles in a non-biased manner. They will explore unit materials, including reading and writing activities, grading rubrics, student work and notes from teachers who have taught with the materials previously. This unit can be tailored to meet the needs of any classroom, and provides ample opportunities for cross-curricular connections, community involvement, and meaningful communication with peers and the broader community.
Video-computer based games emerged as consumer products in the 1970s and now surpass movies, television, and music in terms of worldwide profits. Many of the original text-based games, such as Zork and Deadline had a genre based literary quality to them, and 50 years later we still see literary storytelling in this medium, with both major corporations and independent developers delivering significant texts using varying levels of technology and sophistication.
At the lower level of this, developers often produce low cost material that effectively deals with social and personal issues our students are interested in. Papers Please is a multi-platform game that examines issues around immigration and documentation. One Night, Hot Springs looks at the experience of being trans at a hot spring, while This War of Mine allow us to be a civilian in an urban combat zone (and is a text in Polish history classes). New and exciting games come out frequently, and this is a rich area for texts, which are sophisticated and meet students “where they live.”
We have successfully used video games in the writing classroom, and we are proposing a workshop that presents a number of short low-cost (or free) games to the audience, along with a variety of ways of using them in the classroom. As part of the experience, we would like to engage the participants in an actual lesson in relation to one of the games being presented.
Healing from trauma can be scary, messy, and complicated. Fortunately, the power of story can help. We have been passing stories on to each other for centuries. Stories of hope and resilience are the best ones to share with each other. This session will cover some of the basics regarding trauma, including a review of the physiological responses (fight, flight, freeze).
The session will include discussion about how the vicarious experiences of fictional characters help a reader know they are not alone, introduce new coping mechanisms, and provide a safe place to approach traumatic experiences. The presenter knows that all books are not created equal. Not only will she explain how some “bibliotherapy” books miss the mark, but she will introduce books that are much more effective.
Expect lively read-alouds and group discussions about how the books can be used to teach SEL goals in general or toward healing from trauma. You will receive a link to a comprehensive book list, but you might also start filling your bookstore cart during the presentation!
Students emerged from Covid classrooms, but not unscathed. More than ever, they were not engaging in their own learning. Our course team decided we couldn’t keep lamenting the fact that our tried-and-true approaches weren’t working anymore; we needed to adapt to teach the students in front of us now. Inspired by a book for math teachers on getting kids to think, we adapted our own approach to writing instruction.
Session Materials: Website
Much has been written about students’ and pre-service teachers’ fear of poetry; heck, there’s even a scientific name for the fear of poetry: metrophobia. Thankfully, there have been some great books to guide teachers and teacher educators in suffusing their classrooms with positive poetry experiences—books like John O’Connor’s 2004 Wordplaygrounds and the new Whispering in the Wind by Linda Rief and A Poetry Pedagogy for Teachers by Pindyck and Vinz. And yet, it can be hard to make sufficient time for poetry in high school and methods courses, where teachers and teacher educators are often bound by curriculum and time constraints. The presenter will describe her project to infuse both her high school classroom and, later, her writing methods course with poetry in an attempt to create fear-free poetry experiences—as well as to capitalize on poetry’s power to enhance content knowledge, collaboration, communication, and creativity. In the process, she will outline a literacy autobiography assignment she has done with high school and college students which enlists writers in creating snapshots of their most formative literacy experiences: engaging in writing workshops, reflecting on the implications of their and peers’ experience, and celebrating each other’s voices through publishing parties. Attendees will be invited to share some of their own literacy experiences and play with poetry as well.
Session materials: Slides
As education consistently adapts to the ever-changing landscape of the field and its student population, teachers and administrators are acknowledging the necessity of diverse curriculums as part of culturally relevant and responsive practices. However, we argue that this has been implemented to varying degrees of success, especially texts related to the Asian American Pacific Islander and Desi American (AAPIDA) community. As the United States continues to grow its racial diversity, the literacy opportunities within the education system need to represent it. We will report on the unique perspectives that teachers of color bring to the professional space as it comes to curriculum and instruction from our own personal experience as teachers within the AAPIDA community as well as research. We will offer a discussion about how counterstory narratives empower scholars and promote empathy across racial, ethnic, and socioeconomic groups and challenge ourselves to view all stories with complexity, nuance, and compassion. We will examine successful ways to conduct authentic moments of cultural connections and discuss how well-intentioned practices may result in inauthentic or exacerbate systems of harm for scholars. We will offer and report on practices that we have done to enable student discussion surrounding how their identities interact with the various systems while centering counterstories, authentic connections, and tending to the social and emotional needs of scholars.
