We all know that teachers cannot “pour from an empty cup.” This rhetoric of self-care is all too common. But amid the fast pace of the school system, what are we actually supposed to do to refill our cups? The obstacles to self-care are made worse because much of what the dominant culture calls “self-care” simply helps us cope within antiquated systems rather than truly promote sustained well-being. This cultural confusion around self-care keeps teachers stuck in cycles of exhaustion, overwork, and disconnect. The steeply increasing rate of teachers’ chronic stress and burnout makes clear that we must prioritize real self-care practices—boundaries, self-compassion, power, and processing feelings of guilt. Centering our humanity in this way creates the groundwork for life-giving teaching practices, classrooms, and communities.
Drawing on ten years of teaching English in Illinois public high schools and the work of Paulo Freire, bell hooks, and Pooja Lakshmin, Sarah Bland holds space for teachers to use reflective writing to create a real self-care plan that will support their well-being throughout the school year. Further, participants will be invited to practice short guided meditations to foster self-compassion. Engaging with reflective writing and guided meditation in this way is an act of self-care, community care, and love that naturally shifts how we engage with ourselves, our students, our curriculum, and our school communities.
Session materials:
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Together we will explore a curriculum rooted in identity for middle school students that empowers them to not only critically craft their own identities, but more thoroughly develop critical thinking skills in order to enact social change. The curriculum integrates social emotional learning with common core, while being non-linear and revolutionary. Texts, skills, and activities centered on identity allow students of color, in particular, to take control over their identity formation, and also allows white students the chance to authentically reflect and understand their own positions of privilege in contrast. Paired with seminars, collaborative writing, and individual reflections through an active revision process, this cyclical curriculum engages students by returning to concepts and skills in order to deepen their holistic development throughout the year. The intersection of SEL, ELA, and equity is of utmost importance as our students, and the world around us, continue to recover from the upheaval of a global pandemic. Corrine Ulmer has over a decade of direct experience developing and implementing advanced middle school curriculum that offers practical takeaways from Elise Zerega’s background in pedagogical research that explores the intersection of SEL and academic achievement.
Explore how local news can be used as a powerful tool to teach reading, writing, critical thinking, and collaborative problem-solving skills, while serving as a motivational hook to help students seek out information and connect with peers and the broader community. Our federally-funded unit connects reading and thinking skills with the writing process using a student-centric, project-based approach.
To highlight some features of the highly versatile featured unit, students develop reading and critical thinking skills through interactive modeling of cognitive skills and corresponding writing assignments. Built-in prompts engage students in peer-to-peer discussion about local issues. A culminating group project invites students to engage in collaborative problem-solving with their peers as they formulate a personal cause, select and analyze news articles, and produce an essay and a creative work aimed to advocate for change within their own community.
Participants will learn a reliable process for evaluating news articles in a non-biased manner. They will explore unit materials, including reading and writing activities, grading rubrics, student work and notes from teachers who have taught with the materials previously. This unit can be tailored to meet the needs of any classroom, and provides ample opportunities for cross-curricular connections, community involvement, and meaningful communication with peers and the broader community.
Our students use text to correspond with each other more than ever, often churning out micro-epistles while we teach our most engaging lessons. But while research overwhelmingly suggests that handwriting stimulates brain development and correspondence boosts mental health, snapping bypasses many of these benefits, due to the brevity and screen-dependence of the medium. When given the opportunity to turn a text into a real letter, however – one with an elevated salutation, advanced vocabulary, and ornate sentences, students will scribble seriously for half an hour, phones forgotten in backpacks. Engaging this activity in preparation for reading novels such as Mary Shelley’s Frankenstein will allow students to playfully encounter the language of the 19th century, consider new words and their shifting meanings over time, and compose heartfelt and often hilarious missives (if only to scold the dog for soiling the “citadel” of their bedroom).
In this workshop, participants will examine sample letters, both from Frankenstein and from online archives of Victorian-era correspondence; next, they will draw from an extensive word list in composing letters of high emotion and elevated language. At the end of the workshop, participants will discuss further implications for how such writing generates authentic stakes, stimulates discussions of word usage and parts of speech, and increases student confidence in the otherwise daunting task of reading 19th century texts.
Healing from trauma can be scary, messy, and complicated. Fortunately, the power of story can help. We have been passing stories on to each other for centuries. Stories of hope and resilience are the best ones to share with each other. This session will cover some of the basics regarding trauma, including a review of the physiological responses (fight, flight, freeze).
The session will include discussion about how the vicarious experiences of fictional characters help a reader know they are not alone, introduce new coping mechanisms, and provide a safe place to approach traumatic experiences. The presenter knows that all books are not created equal. Not only will she explain how some “bibliotherapy” books miss the mark, but she will introduce books that are much more effective.
Expect lively read-alouds and group discussions about how the books can be used to teach SEL goals in general or toward healing from trauma. You will receive a link to a comprehensive book list, but you might also start filling your bookstore cart during the presentation!
As English teachers, we’re used to teaching texts in isolation. This presentation will demonstrate how the presenters have experimented with book clubs as a way to weave more varied voices into classrooms. This session will showcase an American Literature Book Club Unit, which provides a framework for students to helps our students see the larger America beyond their own experiences and those captured in canonical literature. Presenters’ sophomore teaching team reads recently published American fiction, searching for well-written literature from varied perspectives to expose students to characters facing complex issues. The novels include relatable teenage narrators whose experiences move students beyond their comfort zones. The unit revolves around student choice, beginning with book selection and extending through student-led book group discussions. In the course of the unit, student groups research related real-world issues like Native American land rights, groundwater contamination in low-income areas, and effects of immigration policies. For a final project, students create movie book trailers using Canva to advertise novels’ themes and motifs.
Presenters will also share novel titles, videos of book groups in action, and project examples.
Much has been written about students’ and pre-service teachers’ fear of poetry; heck, there’s even a scientific name for the fear of poetry: metrophobia. Thankfully, there have been some great books to guide teachers and teacher educators in suffusing their classrooms with positive poetry experiences—books like John O’Connor’s 2004 Wordplaygrounds and the new Whispering in the Wind by Linda Rief and A Poetry Pedagogy for Teachers by Pindyck and Vinz. And yet, it can be hard to make sufficient time for poetry in high school and methods courses, where teachers and teacher educators are often bound by curriculum and time constraints. The presenter will describe her project to infuse both her high school classroom and, later, her writing methods course with poetry in an attempt to create fear-free poetry experiences—as well as to capitalize on poetry’s power to enhance content knowledge, collaboration, communication, and creativity. In the process, she will outline a literacy autobiography assignment she has done with high school and college students which enlists writers in creating snapshots of their most formative literacy experiences: engaging in writing workshops, reflecting on the implications of their and peers’ experience, and celebrating each other’s voices through publishing parties. Attendees will be invited to share some of their own literacy experiences and play with poetry as well.
Session materials: Slides
Many of the most frequently taught works of literature include death, trauma, and other topics that can feel daunting for new teachers to approach in the classroom. Focusing on a literacy methods course with a fieldwork component in Chicago Public Schools, this presentation explores how pre-service teachers learn to navigate teaching literature with heavy content. With Krik? Krak! by Edwidge Danticat as a focal text, the presenter will share classroom strategies that help teachers reflect on their teaching philosophies and design lessons that balance paying attention to social-emotional needs and building literacy skills.
Session Materials: Slides; Website (Note that the website link is to the Google Slides presentation, which may be updated slightly from the ppt version.)
As education consistently adapts to the ever-changing landscape of the field and its student population, teachers and administrators are acknowledging the necessity of diverse curriculums as part of culturally relevant and responsive practices. However, we argue that this has been implemented to varying degrees of success, especially texts related to the Asian American Pacific Islander and Desi American (AAPIDA) community. As the United States continues to grow its racial diversity, the literacy opportunities within the education system need to represent it. We will report on the unique perspectives that teachers of color bring to the professional space as it comes to curriculum and instruction from our own personal experience as teachers within the AAPIDA community as well as research. We will offer a discussion about how counterstory narratives empower scholars and promote empathy across racial, ethnic, and socioeconomic groups and challenge ourselves to view all stories with complexity, nuance, and compassion. We will examine successful ways to conduct authentic moments of cultural connections and discuss how well-intentioned practices may result in inauthentic or exacerbate systems of harm for scholars. We will offer and report on practices that we have done to enable student discussion surrounding how their identities interact with the various systems while centering counterstories, authentic connections, and tending to the social and emotional needs of scholars.
Culturally responsive teaching stresses the importance of connecting students’ identity and lived experiences to the classroom in order to enhance their learning. With book banning and curriculum censorship at an all time high, students feel powerless. They feel as if their voices don’t matter, often leading to the question “Why do I need to know this?” By understanding the communities from which our students come, we are better able to create engaging lessons and find literature that all students can relate to. Creating a welcoming and culturally responsive classroom will decrease student apathy and, in turn, increase student engagement. Not sure how to get started? This session will provide you with a multitude of resources, ranging from beginning of the year “Get to Know You” activities to giving students voice and choice on literature.
Session materials: Slides